{"id":187776,"date":"2018-09-03T11:57:48","date_gmt":"2018-09-03T11:57:48","guid":{"rendered":"http:\/\/151.106.38.4\/2018\/09\/03\/lata-mangeshkar-saddened-by-atif-aslam-s-chalte-chalte\/"},"modified":"2018-09-03T11:57:48","modified_gmt":"2018-09-03T11:57:48","slug":"lata-mangeshkar-saddened-by-atif-aslam-s-chalte-chalte","status":"publish","type":"post","link":"https:\/\/nagalandpost.net\/index.php\/2018\/09\/03\/lata-mangeshkar-saddened-by-atif-aslam-s-chalte-chalte\/","title":{"rendered":"Lata Mangeshkar saddened by Atif Aslam\u2019s \u2018Chalte chalte\u2019"},"content":{"rendered":"<p><img src=\/old_site\/2018_9$large_lata.jpg><\/p>\n<p>&nbsp;For those who revere Lata Mangeshkars &ldquo;Chalte chalte yuhi koi mil gaya tha&rdquo;, the mellow &lsquo;mujra&rsquo; melody composed by the great Ghulam Mohammed for the mythic Meena Kumaris swan song in &ldquo;Pakeezah&rdquo;, the new version of the song by Pakistan singer Atif Aslam for a Bollywood film titled &ldquo;Mitron&rdquo;, is a shocker.<\/p>\n<p>It takes the delicate notes of the original tune, wrenches them out of context and leaves us with a spill-over version of the original which no one can identify as the memorabilia from &ldquo;Pakeezah&rdquo;, except those responsible for this duplication.<\/p>\n<p>And the composition is credited to Tanishk Bagchi.<\/p>\n<p>Lata Mangeshkar, the living legend who sang the song in &ldquo;Pakeezah&rdquo; to immortality, has luckily not heard Atif&rsquo;s version.<\/p>\n<p>&ldquo;And I don&rsquo;t want to hear it. This trend of remixing old songs saddens me. Where is the creativity in simply lifting acknowledged, beloved classics and shuffling the notes around? I&rsquo;ve even heard that the lyrics are changed in the remixes. By whose consent?<\/p>\n<p>&ldquo;The original poets and composers wrote what they had to. Nobody has the right to tamper with the creativity of these great composers and lyricists.&rdquo;<\/p>\n<p>Singer and BJP MP Babul Supriyo, no fan of Ati&rsquo;&rsquo;s singing, said: &ldquo;Today, even the&lsquo;&lsquo;poetic&rsquo; term &lsquo;&rsquo;artistic liberty&rsquo; is at the verge of extinction. With due respect (and disrespect) to Atif Aslam, as a singer myself, I will observe a 2 minute silence to mourn rather than offering a comment.&rdquo;<\/p>\n<p>Singer Alka Yagnik, whose song &ldquo;Dilbar dilbar&rdquo; was recently remixed for &ldquo;Satyameva Jayate&rdquo;, said&rdquo; &ldquo;Why don&rsquo;t they make a new song and make it a superhit if they can, instead of picking up an already superhit song, distorting it, and releasing it again&#8230; and then saying, &lsquo;See, &lsquo;t&rsquo;s become so popular&rsquo;!<\/p>\n<p>&ldquo;Chalo humaare gaanon ke saath ye zulm kartey hain (They do this with our songs)&#8230; but their audacity is increasing by the day. Now th&rsquo;y&rsquo;ve started doing this to Lata Didi&rsquo;s song as well.&rdquo;<\/p>\n<p>Pahlaj Nihalani, the former Chairperson of censor board, wonders why Bollywood is looking towards Pakistan for music.<\/p>\n<p>&ldquo;Every day there is an incident. Our soldiers are being killed. We &lsquo;an&rsquo;t say artistes are immune to politics. At the end of the day, they are citizens of their country first, artistes later.&rdquo;<\/p>\n<p>(IANS)<\/p>\n<div>&nbsp;<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Lata Mangeshkar saddened by Atif Aslam\u2019s \u2018Chalte chalte\u2019<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[688],"tags":[],"class_list":["post-187776","post","type-post","status-publish","format-standard","category-infotainment"],"_links":{"self":[{"href":"https:\/\/nagalandpost.net\/index.php\/wp-json\/wp\/v2\/posts\/187776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nagalandpost.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nagalandpost.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nagalandpost.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nagalandpost.net\/index.php\/wp-json\/wp\/v2\/comments?post=187776"}],"version-history":[{"count":0,"href":"https:\/\/nagalandpost.net\/index.php\/wp-json\/wp\/v2\/posts\/187776\/revisions"}],"wp:attachment":[{"href":"https:\/\/nagalandpost.net\/index.php\/wp-json\/wp\/v2\/media?parent=187776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nagalandpost.net\/index.php\/wp-json\/wp\/v2\/categories?post=187776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nagalandpost.net\/index.php\/wp-json\/wp\/v2\/tags?post=187776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}