There are about ten viable actors in Hindi cinema and they are asking for “sun, moon and earth” and they are being paid that amount, says filmmaker Karan Johar, who believes the industry is going through a creative crisis.
In an interview to journalist Faye D’Souza for her YouTube channel, the producer spoke at length about what’s ailing the Hindi film industry which had a dismal six months at the box office.
“Right now, the industry is in a creative crisis. We are going through a situation where we have to… We are managing footfalls, versus reality versus star remuneration versus studios collapsing at our end and there’s a lot of drama happening in our business, which, I think, we have to take stock of,” Johar said, dismissing stories of being an all-powerful producer who makes or breaks careers.
“…They want a certain kind of cinema and if you want to do a certain kind of number, then your film has to, I will say this technically, perform at A centres, B centres and C centres. Just multiplexes won’t suffice,” he said. Johar, who has spoken about the money demanded by stars in the past, once again highlighted the issues, which is currently at the centre of the debate in the movie business. “…The cost of filmmaking has increased.
There has been inflation there and then the star remunerations… There are about 10 viable actors in Hindi cinema and they all are all asking for sun, moon and earth and you are paying them and then you are paying the film, the marketing expenditure and then your films don’t do the number. “Those movie stars are asking for Rs 35 crore and are opening to Rs 3.5 crore. How’s that math working? How do you manage all that and yet you have to keep making movies and creating content because you also have to feed your organisation?”
“There is a lot of drama and the syntax of our cinema has not found its feet. In the case of Hindi cinema, there has been a certain kind of syntax in each decade. Right now, we are like, ‘If ‘Jawan’ and ‘Pathaan’ worked, should we do only action?’ Then everybody’s running that way. Then suddenly a love story would work,” he said. “…Conviction has taken a complete beating, and it’s all about herd mentality. We haven’t realised that there is a certain audience now that wants rooted Indian cinema and, without the pressure of what the critics have to say, pure joy,” he said.
According to Johar, the audiences don’t want cinema that’s “alienating” where it is about urban syntax and the tier two cities feel alienated or small towns. The filmmaker believes the directors of his time, who have grown on the fodder of a certain kind of cinema, don’t understand the “need of heartland India”.
Asked whether a certain self censorship had set in among filmmakers, Johar said everyone now has a legal department and scripts at his company go to the legal censorship internally first before they decide to produce it.